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- #ACOUSTICA REVIEW MANUAL#
- #ACOUSTICA REVIEW ARCHIVE#
- #ACOUSTICA REVIEW DOWNLOAD#
- #ACOUSTICA REVIEW WINDOWS#
If you prefer a more manual approach, the Interpolate option lets you zoom in on individual scratches or pops and take them out one at a time. As a challenge, I dug out a vintage comedy disc from 1963 and had it sounding virtually pristine using nothing but the supplied presets.
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The DeClick 2 processor is quite adept at removing the crackle and pop that vinyl enthusiasts know and dread. Automatic Track Splitting detects and marks where tracks start and stop, which is handy if you’re digitizing your collection for posterity. The Phono Filter allows you to apply an RIAA curve to a source recording, allowing you to record without an external phono preamp (you can also reverse the process if you’re preparing a recording for vinyl mastering). If, like me, you have a precious vinyl collection that you occasionally have the need to digitize, Acoustica offers a number of helpful tools. You can also view loudness statistics for a selection (or an entire file) by viewing Show Statistics under the Analysis menu. Based on the selectable target loudness range (in LUFS) this meter will also show you when you’re in the red. A dedicated loudness meter, distinct from the output level meter, lets you monitor momentary, short-term, and integrated loudness in real-time. The attention to loudness standards is an important detail, as anyone who is preparing audio for streaming services knows well. Acoustica gives you the option to save your own presets for even these fairly straightforward tasks, so it’s easy to keep your results consistent. For adding fade-ins and fade-outs, I was happy to see not only a sinusoidal curve but a total of six linear and non-linear fade functions in the menu. Acoustica gives you five different level measurement methods to choose from, including the “sample peak” that I’d always used, two RMS measurement options, and one based on ITU-R BS.1770 (EBU R-128) recommendations. When normalizing audio files, I’m used to seeing a maximum level option and little else. Helpful options for basic functionsįor even the most basic audio editing functions, Acoustica offers a little bit of extra control.
#ACOUSTICA REVIEW ARCHIVE#
As someone who attempts to archive and hang onto every recording I’ve ever made, I miss seeing an SDII option – but I acknowledge my minority status in this regard. It supports up to 32-bit resolution and sample rates up to 384 kHz, 7.1 channel surround, multitrack editing, and the standard cohort of formats, including WAV, WAV64, AIFF, MP4/AAC, MP3, OGG, FLAC, and WMA. Setting the source, destination, and file format was a breeze, and I ended up spending more time deciding where to put my files than Acoustica spent converting them.Įveryone has their own use cases for an audio editor, and Acoustica does an admirable job of covering all the bases. Without even spending much time with the manual, I typed “batch” into the search box in the help menu and found the Batch Processing Wizard.
#ACOUSTICA REVIEW DOWNLOAD#
I’d purchased a digital download in FLAC format, for example, and hadn’t gotten around to converting those tracks into AAC format.
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I hadn’t been working with Acoustica for very long before I realized there were unfinished tasks on my hard drive that I’d been avoiding because the audio editor I typically use makes some jobs feel like a bit of a chore. You also have the option of saving an entire workspace, including all open files and layout, in addition to individual files. If you’re working with multiple files or sessions, they appear as tabs above the main view area for quick access.
#ACOUSTICA REVIEW WINDOWS#
Each of these windows can be resized or rearranged by clicking and dragging, and layouts can be saved and reloaded as well. In the default layout the main waveform viewer takes center stage, with standard editing and transport buttons above, and various browsers, processors, and analyzers arranged along the bottom and right-hand edges. Acoustica fills this niche handily, offering a range of useful features for everything from sample editing to mastering in a tidy package that never feels over-designed or bloated.Īcoustica’s interface is inviting and engaging to use. We may spend most of our music production time in a DAW, but there are plenty of tasks that a leaner, more specialized tool is better suited to. A dedicated audio editing application can be an indispensable part of your creative workflow.